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The Frantz family really are dwarves! (Sort of, but that’s explained later) So, in a far-off, war-torn land, they attempt to put on their show whilst battling the dilemmas of a severely reduced cast, family arguments and government interference.
Mike Kenny’s thought-provoking yet darkly humorous story really makes you think about disabilities and people’s interpretations of them, and therefore making it a much more accessible subject, as throughout this show you never feel awkward or insecure because it is kept open and you are left free to think as you wish.
The show is greatly helped along by a cleverly designed set. The dual-layered, versatile stage/bedroom design could be split into 2 or 4, or even kept as one, as well as having performers use both upper and lower layers. This worked most of the time, but at points scenes taking place on the lower layers could be difficult to see and hear, and therefore understand.
The company’s interpreter, who signed along with the entire play, was not a distraction as I originally thought she would be. As a talented actress who was cleverly incorporated into the story, her sign language was not exceptionally noticeable unless you were specifically watching it. In fact, Graeae’s show is designed to be as accessible as possible, with all performances having wheelchair spaces and some even being subtitled. The speech within the show is also very reminiscent of the audio-description option on TV, with a scene-by-scene synopsis and regular narrative sections explaining exactly what is going on on stage.
As well as all of Graeae’s adaptations, Whiter Than Snow is also a brilliant piece of theatre with a well-written story and talented cast who really bring the show alive. This really is a must see for all – it even finishes early, so bring the kids!
Danyele Higgins
Sudbury Upper School
7th March 2009
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